February 2013 NaHaiWriMo

Back in February of 2011, Michael Dylan Welch, created the NaHaiWriMo daily haiku writing challenge on Facebook, as a way of encouraging haiku poets to develop a daily writing habit. The response was overwhelming!

Although originally conceived of as a one-time 28 day challenge, due to popular demand, NaHaWriMo has continued daily, with different haiku poets providing the prompts,  since February 2011. (I was the May 2011 prompter.) The number of participants has grown to over 1200; they range from new haiku poets, to those who have been writing for decades. All are welcome (there are newcomers all the time), and the NaHaiWriMo community is very supportive. This will be my third year participating. I will posting my haiku on the NaHaiWriMo FB wall, the HSA Oregon FB wall, and also here on my blog.

Michael has created a NaHaiWriMo website to provide  information about the challenge, including how to participate. February attracts the greatest number of participants, and the first four prompts have already been posted. (Prompts are generally posted one day in advance, to accomodate those in other time zones. This is an international community.)

Hope to see you there!

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With Cherries on Top

If it hadn’t been for discovering NaHaiWriMo (National Haiku Writing Month) in February 2011, it’s likely that I’d still be writing haiku on the back of grocery store receipts and index cards. What a wonderful haiku community Michael Dylan Welch has created! I’m pleased to be part of this first showcase of haiku, put together from a selection of the August 2012 NaHaiWriMo prompts and responses. I was the Day 25 prompter (in honor of my father’s birthday), and got to select my favorites from that day for inclusion in the collection. In addition, the following haiku of mine were selected to appear:

leaving home
my first taste
of chili peppers
(Day 15 prompt: “chili pepper”, selected by Paul David Mena)


buying time
we feed the meter
another coin
(Day 26 prompt: “time”, selected by Jessica Tremblay)


blue moon
a half-remembered story
from long ago
(Day 31 prompt: “moonviewing”, selected by Alex Benedict)

The entire collection, With Cherries on Top, can be downloaded (for free!) from here.

31 Days 31 Prompters

I can’t resist a good writing challenge. For the month of August, NaHaiWriMo will have 31 different prompters in 31 days. To add to the temptation, there is even the possibility of an e-book being compiled at the end of the month, from each prompters’ favorite responses. In any event, I’ve taken enough of a break this summer from writing haiku. Time to dive right back into it!

You can read more about the challenge in this Facebook note, from NaHaWriMo founder Michael Dylan Welch.

Poet Showcase: Michael Dylan Welch

Name: Michael Dylan Welch
Location:
Born in Watford, England, and grew up in England, Ghana, Australia, and then Canada. Now living in Sammamish, Washington.

Blogs: www.graceguts.com

http://picasaweb.google.com/MichaelDylanWelch

https://sites.google.com/site/nahaiwrimo/home

http://sites.google.com/site/soulfoodpoetrynight/

(among others)

How do you know Cara? NaHaiWriMo, Seabeck, HSA, etc.

How long have you been writing poetry? Since I was a child. I’ve also been writing haiku since I was a teenager, starting in 1976.

What kind of poetry do you write? Haiku, senryu, tanka, and longer poetry (mostly free-form), plus American Sentences and my neon buddha poems (which are short like haiku, but I don’t consider most of them to be haiku).

Please share a poem:

The Clarinet

First published in Mosaic #28, 1988, page 82 (University of California, Riverside). Also published in Sand Hill Review #4, Spring 2003, page 39.

A Londoner with
hatovercoatclarinet
plays amiable
songstunesmelodies
outside
the Royal Festival,
command performance
inside.
His hatovercoatclarinet
case
are worn,
and the tired case lies
open
where naked
reedspenniespounds
rest.
The music
                     floats
sweetly
across the Thames
played
through thin
woolgloveswithoutfingers
and when the concert
ends
bowlersgownsducktails
waltz like the river by
to the sound
of a dreamy
clarinet.

A is for Apple

One challenge complete, another just beginning. February 1 marks the first anniversary of NaHaiWriMo. Although I’ve stepped out now and then to recharge my haiku-writing batteries, I have been fairly consistent about writing a haiku a day since last February. How do I love NaHaiWriMo? Let me count the ways… since then I have begun to feel more confident in writing haiku, made many haiku friends both online and in person, attended two haiku conferences and the annual Seabeck retreat, branched out and begun writing the related forms of tanka, haibun, senryu, and kyoka, had many publishing successes and contest placements, added dozens of books and journals to my haiku library, but most of all, have begun to feel like a valued member of the haiku community.

If you’ve been thinking of taking part in NaHaiWriMo, but not sure about the time commitment, the good news is that whether you choose to write one haiku, or all twenty-nine, you can still be part of the experience. More information about NaHaiWriMo can be found on Michael Dylan Welch’s NaHaiWriMo website.

And now, with no further ado, my first February 2012 NaHaWriMo haiku, as we work our way through the alphabet:

mid-winter blues
reaching for a red apple
on a gray morning

Haiku North America- Day 2

Starting on Day 2, I realized that what I really needed was a strategy not only to keep from overload, but also to maximize my experience. I have to admit that sleeping in was a huge temptation, but  I didn’t make all the effort to come to the conference just to catch up on my sleep! So with that in mind, I attended the 8 a.m. session of “Tai Chi Ch’uan– Waking Your Haiku Mind”, led by Don Baird. Now I’ve been doing Tai Chi for awhile, but I picked up two major tips that may seem totally obvious, but no one had ever told them to me before. The first was not to lock my knees while doing Tai Chi, something I discovered I do automatically, because I am thinking so hard about my breathing, and what my hands should be doing. The second was to start all movements with the legs; outwardly, that probably wouldn’t even be noticeable to someone looking on, but it makes a big difference in ease of movement. Afterwards, we wrote haiku, inspired by lovely photos taken by Don that were spread around the room.

slow exhale
at the tip of my finger
a butterfly

The conference officially began with opening remarks by Michael Dylan Welch, and a round robin reading of the HNA conference anthology Standing Still. You can read the intro to the anthology here, and a sampling of haiku from it (mine is the 3rd down) here.

Then the hard choices really began in earnest. With three choices for the first session, I opted to attend “Monophilia: The History and Practice of One-Line Haiku in English”, where Jim Kacian did an excellent session on “the two-handed backhand of haiku”, to use his tennis analogy. I have yet to write a monoku myself– my next challenge, I guess– but have been enjoying reading them.

With no break, the next session I attended was “Celebrating 20 Years: Rengay Workshop”, presented by Garry Gay, where we got an intro to writing rengay, and received worksheets for writing 2 and 3 person rengay. We learned that while a rengay required adherence to a particular theme, it also needed to progress through space and time, with shifting points of view. Afterward, over lunch, five of us began attempting our first ever rengay (using the 3 person form), and got a respectable start on it.

After lunch, there was the first panel discussion, of “What Makes Canadian Haiku Canadian”, chaired by Terry Ann Carter, and with panelists Bruce Ross, Jessica Tremblay, and Michael Dylan Welch, where we learned more about haiku on the other side of the border.

We then proceeded to the Monorail station, and rode downtown, where we split into groups to see the sights. I saw Pike Place Market first, followed by the Seattle Art Museum, and had lunch with three others at the Copacabana, a Bolivian restaurant by the Market. We had to do a bit of power walking to catch the last monorail back so we could attend a haibun reading, featuring (among many others) Cor van den Heuvel reading from A Boy’s Seasons: Haibun Memoirs, and Eve Luckring’s video renku. I’ve been playing around with the haibun form a bit, and have five haibun that will shortly appear in Frogpond (2), Notes From the Gean (1), A Hundred Gourds (1), and VoiceCatcher6 (1).

I rounded out my evening with a panel discussion about “Developing Haiku Book Manuscripts”, chaired by Michael Dylan Welch, and with panelists: Jim Kacian, Ce Rosenow, Charles Trumball, and Don Wentworth. This left me with lots of food for thought, as I hope to put a chapbook together someday. This is not so much because I think the world needs another haiku book, but because I have so many haiku kicking around in my various spiral notebooks, and on my computer, that I feel a compelling need to organize them in some cohesive way.

To be continued…